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Memorial for Thampi in Puthumana. Later Moothat Sankaran IIayath gave him higher learning in various branches of knowledge like grammar, literature etc. All these three Attakathas combine as a mound-trio of the Kathakali literature and this contribution equates him to famous Unnayi Warrier who wrote Nalacharitham Attakatha in the 18th Century, a work which is said to be a unique one in Malayalam. Composers and Musicians Irayimman Thampi Some of the padas composed by Thampi are employed by the Mohiniyattam dancers and that is much appreciated by the art-lovers.

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Thampi has proved his ability to depict soft rasas like the Sringara, Karuna, Bhakti etc.

A House in Kizhakkemadam. Thampi died in the year at the age of The well-knit nature of the musical and literary adimalaarina in his compositions and the aesthetic charm of their visual effect are the clear evidence for the musterly writings of Thampi. They are full of lyrical charm and musical beauty.

Adimalarina Thanne (Indulekha []) | അടിമലരിണ തന്നെ (ഇന്ദുലേഖ [])

Thampi was married to Kalipilla Thankachi and a child was born to that couple on the Anizha star of the month of Kumbha in the year ME. Though he excelled in Bhakthi and Sringara he has proved his eminence in all Bhavas through his various works. Later when the child became the Maharaja of Travancore Thampi was accredited as his court poet and composer.

Undoubtedly we can quatity Thampi as a bright light which shines ever in the cultural arena of Kerala. At the age of fourteen, he wrote a poem and dedicated it to the Maharaja. Even during his childhood he was scholar in drama, grammer, logickaavya and alankara and adimaalarina eminent in music and literature.

This year it fell on the 29th of October. Memorial for Thampi in Puthumana.

Malayalam Movies and Songs

Irayamman Thampi was also enjoyed an esteemed position among the Kathakali musicians of Kerala. Thampi composed a good number of padas and kirtanas also. Sanskrit Keerthanas in rare ragas, like Irdisha, Manchi and Kakubha deserve special mentions. It would appear that His Highness after composing his pieces loved to rhanne them to Thampi and set much value on his appreciation of them. Both depict stories taken from the Mahabharata.

He has composed beautiful varnas in Aarabhi, Sankaraabharanam, Neelambari, Bhairavi and Punnagavaraali ragas. Malayala kirtanas thann Neelavarna pahimam surutti - chempata 2 Pahimamgirithanaye saveri - chempata 3 Karunacheyvan enthuthamasam saveri - chempata 4 Adimalarinnathanne Mukhari - chempata Varnam 1 Amba Gouri Arabhi - Atanta 2 Manasi parithapam dussaham ayyo Sankarabharanam - chempata Padam 1 Aroducholvan Azhalullathellam indisa - Jhampa 2 Kamaladikalam Narumalarellam Kamodari - chempata 3 Enthujnanihacheyvu Neelambari - chempata 4 Prananathanenikkunalkiya Kamodari aimalarina chempata All such songs prove the grace verbal felicity and exquisite artistry reflected in the compositions of Thampi.

That child later became the real successor of the arrtistic tradition of her father; Thannne is the well-known writer and poetess, musicologist and composer late Kutty kunju Thankachi who contributed much to Malayalam literature Thampi lived at Trivandrum throughout his life and he had thanns privilage of enjoying the liberal patronage and protect on of four kings Dharmarajar Balarama Varma, Swathi Thirunal and Uthram Thirunal and two Queens Gouri Parvathy Bai and Gouri Lakshmi Bai.

Some of his padas refer to Swathihis aunt and his sister.

Adimalarina Thanne (Indulekha - )

Among the musicologists and the composers of Kerala, Thampi gains a high place perhaps next to Sri Swathi Thirunal Maharaja because of his brilliant writings.

Irayimman Thampi had the occasion to write a lullaby for Swathi Thirunal and ironically also wrote a charama sloka for Swathi in Thampi has composed 21 Sankeerthanas, five Malayalam Keerthanas, five Varnas, and 22 Padams and one lullaby.

This lullaby was composed by Thampi for the sake of a royal child and that too Sri. They cannot rule out the grace of such padas which are really having aesthetic beauty.

Their mutual encouragement had helped them in polishing their potentials. Many padas of these poems have won wide appreciation. This particular work of Thampi is the most beautiful sringarapadam in Malayalam. The father himself gave Thampi the basic education. However, his greatness in classical music reached its zenith during the reign of Swathi Thirunal.

Iravivarma was born in and was popularly known as Irayimman Thampi. Later Moothat Sankaran IIayath gave him higher learning in various branches of knowledge like grammar, literature etc.

There existed a healthy competition between them in composing songs in which Thampi was always the winner.